Lil Wayne The Carter III Review

Let it be known that I am far from one of these Lil Wayne fanatics who hang onto every word that he says. I am often disappointed with the state of Hip-Hop or mainstream Hip-Hop because there is a difference. I am still feeling some type of way that Common was not even mentioned in the Hottest MC’s or even MTV’s Honorable mention. But MTV sucks and we all know that they by no means represent the real Hip-Hop.

With that said Lil Wayne’s new album The Carter III is CRACK! Like I can’t feel my face because it’s numb CRACK! With all the anticipation for this album there are many a critic who are running around the Internet making false claims. Claiming Weezy has lost it, the album sucks ect. Ect. I cannot conform to these fair-weather fans, their empty screams sound just as ridiculous as the dude on MTV who was fighting to get Soulja Boy on the top ten (yea, I’m still not over that).

Now before I go any further, is the Carter III comparable to Reasonable Doubt, Illmatic, or Ready To Die. Not at all, those albums are classics and you would be hard pressed to find an artist who could prepare such a lethal album in the current state of Hip-Hop. However one cannot deny that Wayne is one of the hottest mainstream rappers right now.

Let’s get to the album, did he not rip it on 3-Peat, Mr. Carter, A Milli. I mean he starts the album off with a mean flow and witty lines. He and Jay trade bars like ferocious animals on Mr. Carter. Hov himself passes the torch and calls Wayne the heir to the throne. I think Wayne has come along way; I would like to see him focus on more than hit punch lines and actually start saying something valuable. The pyramids were not built in a day, everything is a process and on this album along side his typical swagger and punch line filled rhymes Wayne goes beneath the surface and says some things with some depth on the album. It is always good to see an artist grow!

Mrs. Officer is a certified summer banger; I’m already riding around with the sunroof open letting that joint blare out the speakers. Props to the joint with David Banner, it has that real deep dirty South feel. That Mississippi, New Orleans, Texas feel, which is major that with all this success Weezy can pay respect to his roots and turn the mainstream onto it.

Not to many features on here but those that are on the album are notable. More specifically when Fab meets Wayne meets Juelz we have a nice mix. I haven’t seen Fab spitting like this since he was on the Clue Mixtapes. Now that’s how you let the build beat b****. Another banger for you pump around the way. First I want you to Phone Home then go play in some fire. The production on this album is amazing, hands down.

Concept wise, can you really hate on the genius of Dr. Carter. The game needs a heart shock, something to revive it and this concept, delivery and flow make it one of the hottest tracks on the album….. I saved yo life! I guess hip Hop ain’t dead. Shoot me down, the slow and weak cannot comprehend it and I will not break it down for you.  Tie my Hands, after his completely ignorant statement about New Orleans in the interview I posted on the blog a few weeks ago, I was happy to see him acknowledge the sad state of New Orleans and the disenfranchisement people of color.

Last but certainly not least did Wayne get political on Misunderstood. Did Wayne go and sample Nina Simone and try to put some soul on this. My only complaint here is that Common just used this same sample not even a year ago. In my opinion Common’s version was better but nevertheless the best part of the song was Wayne’s personal reflection on what’s going on with the state of black people and how it relates to the law. His words for Al Sharpton were tough but I felt them. Like if you are not going to reach out and help a young brother improve then please do not say anything at all. All in all I give the album 4/5, it is not a classic but it is definitely a good effort put forth by Wayne!

[youtube=http://www.youtube.com/watch?v=f_gkoKnaDc0&hl=en]

Living in Philadelphia from 2002 to 2007, I watched the neighborhood which surrounded Temple University transform. Blacks were moved out and whites were moved in; we had many town hall and discussions about this topic as concerned students. Depending on who the speaker was we would hear different terms used to describe this process. If white property owners were speaking ,we learned that what was happening to the community was a “beautification program”. If Black community members were speaking, this displacement was called “negro removal”.

No matter how you frame the situation, gentrification was happening in a community that was historically black and becoming increasingly white. I have many thoughts on this topic that I will save for now but I want to share with you something I recently read. This piece is an honest reflection of what it’s like for a caucasian man who moves into one of these neighborhoods that is not quite gentrified yet. I bring to you the words of famed author Marty Beckerman and his well written piece “Gentrify This”.

Here is an excerpt from the article:

When I moved to New York, I only had two days to find an apartment. Rents in “affluent” neighborhoods with numerous “young professionals” are considerably higher than in “up-and-coming” neighborhoods. Whereas I lived in a luxury building in D.C. with a gym, pool, doorman, deck, chandeliered lobby and (most lavish of all) dishwasher, I was suddenly—thanks to my desperate rush and journalist’s budget—in a neighborhood where the only appetizing-looking restaurant is a McDonald’s, save for a Mexican eatery that gave me a gastrointestinal holocaust.

To read more of this article go to:

http://www.jewcy.com/index.php?q=post/gentrify

[youtube=http://www.youtube.com/watch?v=cJusbALMMKI&hl=en]

By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest. - Confucius