I guess the kid in me is coming out today. I saw this on CNN and I had to post it. Shout out to the Muppet Babies. Miss Piggy and Kermit and Gonzo. All of them gave me a great childhood. I used to watch the tv show, the movies, you name it I was watching it. I even had a little Kermit back in the day, he had a lumberjack vest on but I’m not sure what happened to him. I had him for years, the vest had been gone but now he’s gone too. Sad, just sad. Anyway shout out to the Smithsonian for celebrating the work of Jim Henson, Long Live the Muppets. Check below, I’ve included a clip of their great show!

Bert and Ernie are paying a special visit to the city that helped give birth to the “Sesame Street” gang.

Kermit the Frog will be part of an exhibit, “Jim Henson’s Fantastic World,” at the Smithsonian Institution.

But don’t expect to see the popular puppets strolling around Washington. Their fame and age (they’re sensitive to light) make too much exposure a security risk. Instead, they will be making their home, at least temporarily, in the underground International Gallery at the Smithsonian Institution as part of the exhibit “Jim Henson’s Fantastic World.”

Visitors to the show, which opens Saturday and continues through Oct. 5, will find the Muppets under special lighting, behind glass and closely guarded.

“We consider every single thing in here to be precious,” said project director Deborah Macanic. Technically speaking, they’re all antiques.

It’s a homecoming for Muppets such as Kermit, the piano-playing dog Rowlf and others that first achieved stardom on Washington-area television shows and commercials — long before the success of “The Muppet Show” and “Sesame Street.” Muppets creator Jim Henson grew up in nearby Hyattsville, Maryland, and attended the University of Maryland, where his creative approach began to take shape.

“We’re showing how he went from drawing to a cartoon to a puppet to a moving image,” Macanic said, explaining the exhibit’s themes of visual thinking, storytelling and character development.

Through more than 100 original drawings, cartoons and story boards and about 14 famous Muppets, the exhibit traces Henson’s career as a puppeteer and filmmaker until his death in 1990.

Henson got his television start in 1954, creating a TV show, “Sam and Friends,” for Washington’s NBC station while still in college. Kermit the Frog’s character began developing from this show and later became a superstar.

The exhibit features one of the earliest sketches of Kermit, and a 1970s version of the puppet sits front and center to greet visitors near the entrance of the International Gallery, which is part of the Smithsonian’s Ripley Center.

Kermit was originally conceived as a more abstract reptile character with less defined features. The original puppet was made in 1955 from an old turquoise coat with eyes made from a pingpong ball. Kermit continued to evolve from there to a frog in the 1960s.

“Then Kermit just kind of took over and became the news (reporter) guy with the hat and the trench coat and all that he was by the time he got to Sesame Street,” Macanic said.

The skinny, green frog became the most enduring Muppet character, in part because Jim Henson considered Kermit to be his alter-ego.

Henson’s personality shines through other characters as well, such as the furry, hippie Mahna Mahna who sings scat to a jazz song with two backup singers called the Snowths. The skit debuted in 1969 on “The Ed Sullivan Show,” with Henson performing the gruff voice of Mahna Mahna.

A few days before the exhibit’s opening, the three singers emerged from a wooden storage crate — all in need of a little primping. Josette Cole and Viki Possoff, Smithsonian exhibit registrars, carefully fluffed the pink Snowth puppets and twisted an arm to match a dance pose from a photograph.

“There’s a whole technique to it,” Cole said. “You use a dog brush, for one, and you don’t pull it through the hair because you’ll pull it off. You sort of have to pat it in place.”

Bert and Ernie were unpacked after the Snowths, apparently needing some extra rest after their last public appearance in June in Louisiana.

Museum workers are becoming experts in Muppet care as the exhibit makes a three-year tour. After the show in Washington, the Muppets will travel to Atlanta, Georgia; Orlando, Florida and five other cities through early 2011. The Smithsonian’s experts escort their Muppet treasures by tractor-trailer, tending to them at each stop.

The exhibit anchors a Muppet-themed summer of events at the Smithsonian and elsewhere in the Washington area. Through much of July and August, the AFI Silver Theatre in Silver Spring, Maryland, will host the film series “Muppets, Music and Magic: Jim Henson’s Legacy” as a tribute to Henson’s work. There will also be programs on puppetry and free Podcast tours.

The only thing missing from the Muppet festival may be the elegant Miss Piggy, who aggressively flirted with Kermit. Miss Piggy will show up in film only, but her puppet isn’t available. Apparently, the materials used to create Miss Piggy weren’t as sturdy for travel as Kermit’s, said Karen Falk, an archivist with The Jim Henson Co. who curated the exhibit.

“As you might expect,” said Falk, “she’s more sensitive.”

Link

http://www.youtube.com/watch?v=nc-4KFxSD4Q

Ummm Imus strikes again. WTF!

credit to
http://www.profootballtalk.com/2008/06/23/imus-at-it-again/

IMUS AT IT AGAIN

Less than 15 months after losing his gig on WFAN and MSNBC for making racially charged comments regarding the Rutgers women’s basketball team, radio icon Don Imus has danced dangerously close to, and arguably over, the line again.

On Monday, Imus had the following exchange with Warner Wolf:

Wolf:  “Defensive back Adam ‘Pacman’ Jones, recently signed by the Cowboys.  Here’s a guy suspended all of 2007 following a shooting in a Vegas night club.”

Imus:  “Well, stuff happens.  You’re in a night club, for God’s sake.  What do you think’s gonna happen in a night club?  People are drinking, they’re doing drugs.  There are women there, and people have guns.  So, there, go ahead.”

Wolf:  “He’s also been arrested six times since being drafted by Tennessee in 2005.”

Imus:  “What color is he?”

Wolf:  “He’s African-American.”

Imus:  “Well, there you go.  Now we know.”

Last time around, the comments represented a partial effort at humor.  This time around, it was a matter-of-fact statement, with no chuckles, yuks, tee-hees, or ha’s.  As we see it, if the comment wasn’t overtly and blatantly racist, then what the hell was it?

Maybe we’re wrong on this one.  Even so, it was nothing short of stoopid to fly so close to the flame that already burned him once.

hmmmm

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MTV Sucks for thinking that their horrible round table discussion about who the hottest MC’s in the game right now is relevant. I am just amazed about how these commentators view Hip-Hop! Big Daddy Kane, KRS 1, Rakim, Kool G. Rap are constantly disrespected via this mainstream Hip-Hop nonsense.

Their arguing who the Hottest MC is and have the nerve to have a serious debate about Soulja Boy. Like are you serious, now all of the sudden Soulja Boy is a staple in Hip - Hop. Lyrics were at the bottom of their discussion every time. This debate alone destroys the credibility of this list.

AND WHERE THE F*** IS COMMON ON THE LIST? MTV SUCKS

HOTTEST MC’S IN THE GAME

10. T.I.

9. Andre 3000

8. Young Jeezy

7. Lupe Fiasco

6. 50 Cent

5. Snoop Dogg

4. Rick Ross

3. Lil Wayne

2. Jay-Z

1. Kanye West

CONGRATS TO YEEZY, I JUST DON’T UNDERSTAND HOW COMMON IS NOT EVEN ON THE LIST. THE NUMBERS ARE ALL MESSED UP!

I just keep playing this clip, it’s hilarious lol.

[youtube=http://www.youtube.com/watch?v=nYAMDhVT50I&hl=en]

New York Pricks & Dicks at its finest are no more than the murderers of a young family man with ambitious goals and aspirations. Truth is, I am Sean Bell, my brothers and friends are Sean Bell, and you too could be a victim of unjustifiable force by the people who your tax dollars pay to serve and protect; thus making you Sean Bell.

I pray that this time we really do wake up and take this for the issue that it really is. This is not a race issue on it’s face; why yes racial politics are part of the reason things went down the way that they did. However, now that two young girls are being raised without their father we have to look deeper within ourselves, past our skin color and see that this is a humanity issue. Why are young black men’s lives disposable? We get so caught up between black and white that we do not realize that their is a power structure in this country that oppresses people. It often privileges people of caucasian backgrounds and oppresses people of color.

New York Pricks & Dicks serve as an oppressive force upon the many young black males who live within the city limits. In an attempt to “promote safer neighborhoods” they are trained to act a certain way in neighborhoods that are closer to the poverty line than those which are not. You never hear about some wild white boys getting shot in a barage of bullets in a white neighborhood. Why? Because that would be unacceptable to the power structure.

If we think back to the days of slavery you had the slave master but he often had an overseer; an Uncle Tom who he would use to keep negroes in check. Detective Michael Oliver, Gescard Isnora and all of the other black police enforcement who continuously use excessive force on public enemy #1; the black man, are those same Uncle Tom’s. This serves two purposes; 1.) the power structure is still able to control minority men and keep them in check. 2.) They use people who look like them so that their racist power structure is not undermined by political correctness. It looks so much better when its blacks killing blacks rather than whites.

This is not a race issue, this is a humanity issue. White people who are tired of being benefactors to such a racist system and receiving the privilege of not having to be victims of this system should stand with people of color fighting these injustices. This is not the America Barack Obama speaks of; but this is the America that many of us know too well. Couple Hope, Change and groups of different ethnic and racial groups together towards humanitarian issues such as police brutality and we can fight to make this the country the way we would like to pretend that it is!