I posted this because I thought this was interesting. We are all victims of being judgmental, when I first read this I was like Bushwick Bill making Gospel. WTF!

If you forgot who Bushwick Bill is, he is the midget dude from legendary rap group Geto Boyz which featured Hop Hop Heavyweight Scarface.

But if dude found God and wants to preach the gospel and feed our minds, I’m down for it. I think it was the young lady Deelishis from Flavor of Love who spoke about artists having the ability to transform and it is our own people who give us the hardest time. So I support this brother and his new endeavor. But Bill I’m going to have to download first, all of this Gospel rap aint my thing. 1

 

By Tai Saint Louis

Rapper Bushwick Bill, a member of the controversial, legendary Southern rap group The Geto Boys, is set to release his sixth solo album, with an unexpected twist.

Testimony of Redemption, which Bushwick hopes to release later this year, will be his first foray into Gospel Rap.
The new album is mostly autobiographical and confessional in nature, with Bushwick apologizing for his past misogynistic lyrics on “Praise of a Good Woman” and owning up to his wild past on “Renewed Mind,” which borrows the same Isaac Hayes sample as the Geto Boys’ classic “Mind Playing Tricks On Me.”

Testimony of Redemption also finds Bushwick Bill blending his own testament of faith with pop culture topics to keep the listener tuned in.

Bushwick even takes aim at the state of Hip-Hop on two separate tracks.

On “Pull The Trigger on the Demon,” he spits “You’re killing the South/rap about something realer than the grill in your mouth,” while “God’s Side Is The Best Side,” features Bill speaking on the unifying power of Christ over all clicks, coasts, and gangs.

While infusing the lyrics of his new opus with Biblical references and praise, Bushwick, born Richard Shaw, makes it clear that his aim is not to convert, but simply to share his own new found vision.

This new direction is not quite as surprising as many would believe.
Bushwick Bill’s career in Hip-Hop, which has spanned over two decades, has been overshadowed by his often troubled personal life.

Aside from his contributions as one third of the Geto Boys, with Scarface and Willie D rounding out the fold, Bill is probably best recognized for the May 1991 mysterious incident which left him missing an eye.

The wound was the result of a gunshot wound suffered by his own hand, or that of his girlfriend, who he persuaded to pull the trigger.

But prior to entering the world of entertainment, the Jamaican-born artist was a student of Theology, fully intent on becoming a minister.

story courtesy of www.allhiphop.com

http://www.youtube.com/watch?v=nnRS-3AyGUs

Hov is a funny dude, here he is ricking and rolling Live At Glastonbury!

I was shocked that Soulja boy responded the way that he did. It shows a lack of respect for the older generation and leaders of Hip-Hop. I mean does Soulja Boy really think that he makes good music, like noone will remember this dude next year. And his response sounds like a immature little boy, BEAT IT!!!!

Here’s How The Whole Thing Started…

Here is Soulja boy’s response.

Soulja boy is fresh ass hell and is actually the true meaning of what hip hop is sposed to be. He came from the hood, made his own beats, made up a new saying, new sound and a new dance with one song. He had all of America rapping this summer. If that ain’t Hip Hop then what is? A bunch of wannabe keep it real rappers that ain’t even relevant, recycling samples trying to act like it’s 96 again and all they do is hate on new shit? Niggas always talk about the golden age but for a 13 year old kid, this is the golden age!!! That song was so dope cause everything he said had a hidden meaning… that’s Nas level shit… he just put it over some steel drums which is also some Nas shit if you had the 2nd album cassette with the bonus track “Silent Murder” on it. In closing… new niggas get ya money$$$$$$$$$$ Keep this shit fresh and original…. ain’t no fuckin’ rules to this shit and that’s what real hip hop is to me. - Kanye West

Now Kanye is rolling with Soulja Boy on this one. So basically if you spit on a record, loop it over a few times now you are Hip-Hop. Vanilla Ice is hip-Hop, hell if you come from the hood, make your own beats then you too can be hip hop. It doesn’t matter if you have any love for the culture, this genre of music. But clearly this is where the industry meets the culture, Soulja boy is what the industry has made. Times are changing so to say everything that is new is wack is proposterous. But for Kanye West to compare Soulja Boy to Nas is outrageous. Matter fact I am forgetting that Kanye goes on tirades and this was definitely one of them.

N.E.R.D “SEEING SOUNDS” Album Review

“I’ll never forget I was like 7 years old, I closed my eyes and that’s when it happened. I STARTED SEEING SOUNDS!” With the backdrop of music that reminds you of the Pee Wee Herman days, Pharrell spits these words on “Time for some Action” and the trance begins, you become a part of outer space, you’re traveling to Planet N.E.R.D. A world where a hard core hip hop head can meet an alternative skateboard punk rock kinda kid while their both tryna holler at a Soulful, R&B girl. I SEE DEAD PEOPLE, I SEE SOUNDS!

I think the thing you have to love about N.E.R.D albums is that they are not made for the mainstream. It’s almost as if Pharrell and Chad make beats and do cameos on all mainstream music just so they can afford their addiction. Their addiction to making music that transcends a kid from the projects to the suburb with tales of women, drugs, relationships, and everyday life. Expect the beats to blare out your speakers. Tracks like “Anti Matter” might throw you at first but then you’ll realize this ain’t normal, it wasn’t intended to be.

“Sooner or Later” has people who are not typical N.E.R.D fans crossing over into Planet N.E.R.D. The instruments take you somewhere you’ve been before, with every drum snare you are starting to see the picture they are painting, you are beginning to see your own sounds. With a NERD album you are really bound to get double the amount of songs you bargained for. Every song has a bridge where the beat changes up, the vocals change up and you are given a teaser of another dope beat. I guess when you get super producers who make albums they have so many hot beats to choose from they have to be creative to get all of their sound in there.

“Yeah You” finds any male or female’s nightmare; a stalker who just doesn’t get it! If on the album Pharrell and his cohorts were trying to make music where the listeners see the potential video it definitely worked. For this track I see a new version of Black Sheep’s Strobelite Honey video treatment. Most are too young to remember, just go on youtube and look it up.

The smash hit single “Everyone Nose” has the streets buzzing, the clubs buzzing and THE “Black Mac” has been pumping it for months. Celebrity Insiders aren’t even mad that N.E.R.D. is exposing why some girls always feel the need to “POWDER” their noses. On the bridge Pharrell might even be trying to tell the girl to slow down with all her reckless partying while also trying to help himself to some of her wild behaviors. Already an Internet favorite is the extra-terrestrial “Spaz”. With an opening line like “I’m a little teapot short and stout” you have to wonder what the f*** is this song about to be about. Just Spaz if you want to!

I walk into my 16 year old brother’s room, a young dude who is more worried about the new Jordan’s or some Air Force one’s and I hear “Love Bomb” pumping out of the computer speakers. Why is that, why is this album crossing age groups, genres, and racial boundaries. Because everyone needs an escape from reality and that’s what this album offers, FREEDOM. Freedom to say whatever you want, listen to whatever you want. There is nothing typical about the music and the vocals can be just as confusing. But uff it, just go with the flow. Welcome to PLANET N.E.R.D where the norm is not so normal but the catch is you don’t care because you like it! I SEE DEAD PEOPLE, I SEE SOUNDS!

Lil Wayne The Carter III Review

Let it be known that I am far from one of these Lil Wayne fanatics who hang onto every word that he says. I am often disappointed with the state of Hip-Hop or mainstream Hip-Hop because there is a difference. I am still feeling some type of way that Common was not even mentioned in the Hottest MC’s or even MTV’s Honorable mention. But MTV sucks and we all know that they by no means represent the real Hip-Hop.

With that said Lil Wayne’s new album The Carter III is CRACK! Like I can’t feel my face because it’s numb CRACK! With all the anticipation for this album there are many a critic who are running around the Internet making false claims. Claiming Weezy has lost it, the album sucks ect. Ect. I cannot conform to these fair-weather fans, their empty screams sound just as ridiculous as the dude on MTV who was fighting to get Soulja Boy on the top ten (yea, I’m still not over that).

Now before I go any further, is the Carter III comparable to Reasonable Doubt, Illmatic, or Ready To Die. Not at all, those albums are classics and you would be hard pressed to find an artist who could prepare such a lethal album in the current state of Hip-Hop. However one cannot deny that Wayne is one of the hottest mainstream rappers right now.

Let’s get to the album, did he not rip it on 3-Peat, Mr. Carter, A Milli. I mean he starts the album off with a mean flow and witty lines. He and Jay trade bars like ferocious animals on Mr. Carter. Hov himself passes the torch and calls Wayne the heir to the throne. I think Wayne has come along way; I would like to see him focus on more than hit punch lines and actually start saying something valuable. The pyramids were not built in a day, everything is a process and on this album along side his typical swagger and punch line filled rhymes Wayne goes beneath the surface and says some things with some depth on the album. It is always good to see an artist grow!

Mrs. Officer is a certified summer banger; I’m already riding around with the sunroof open letting that joint blare out the speakers. Props to the joint with David Banner, it has that real deep dirty South feel. That Mississippi, New Orleans, Texas feel, which is major that with all this success Weezy can pay respect to his roots and turn the mainstream onto it.

Not to many features on here but those that are on the album are notable. More specifically when Fab meets Wayne meets Juelz we have a nice mix. I haven’t seen Fab spitting like this since he was on the Clue Mixtapes. Now that’s how you let the build beat b****. Another banger for you pump around the way. First I want you to Phone Home then go play in some fire. The production on this album is amazing, hands down.

Concept wise, can you really hate on the genius of Dr. Carter. The game needs a heart shock, something to revive it and this concept, delivery and flow make it one of the hottest tracks on the album….. I saved yo life! I guess hip Hop ain’t dead. Shoot me down, the slow and weak cannot comprehend it and I will not break it down for you.  Tie my Hands, after his completely ignorant statement about New Orleans in the interview I posted on the blog a few weeks ago, I was happy to see him acknowledge the sad state of New Orleans and the disenfranchisement people of color.

Last but certainly not least did Wayne get political on Misunderstood. Did Wayne go and sample Nina Simone and try to put some soul on this. My only complaint here is that Common just used this same sample not even a year ago. In my opinion Common’s version was better but nevertheless the best part of the song was Wayne’s personal reflection on what’s going on with the state of black people and how it relates to the law. His words for Al Sharpton were tough but I felt them. Like if you are not going to reach out and help a young brother improve then please do not say anything at all. All in all I give the album 4/5, it is not a classic but it is definitely a good effort put forth by Wayne!